Chicago notes (on food and music)

I had a great few days in Chicago last week. The trip started on Thursday evening with the Rob Mazurek food tour (condensed version). When Rob was in New Orleans a few weeks ago, much food was consumed. I say much food, in that we sampled many of New Orleans’ great offerings, not that we just ate 43 poboys every time we sat down. Well, maybe once, but…

Our first stop was for a jibarito (or jibaro) at this place:jibaro.jpg on California. A jibaro is essentially a steak sandwich, but instead of bread, it uses fried plantains. This ROCKS! Most excellent. Seasoned just right, and slammin’. Rob and I split one, because there were a few more places on our list, and I had to play later.

Our next stop was supposed to be for tacos, I believe, but the place was closed, so we moved west to Johnnie’s for an Italian beef. johnnies.jpg I had a combo (which is beef and sausage) with sweet peppers, and an Italian lemon ice. This stuff is heaven. Texturally, it reminded me very much of what I call a Bucktown special, but the seasoning was very different, and amazing. The thing it has in common with a Bucktown special is that you use LOTS of napkins if you do it right.

After I went to Rob’s and laid on the couch and moaned for a while, I went to Elastic for my first gig of the trip. The opening set was a solo percussion set from Tatsuya Nakatani. His solo stuff is really enthralling. The second set was a quartet with Tatsuya, Jim Baker on piano, Josh Abrams on bass, and myself. I was really quite curious about what would come out, with Josh, Jim and I coming from essentially jazz-ish backgrounds, and Tatsuya’s solo set was very much in a soundscape type place. It was all about subtleties of sound, and I play trombone…that’s not usually too subtle. It was great. The four of us found several places to meet, and the music was tons of fun to make. The people listening seemed to enjoy it as well.

On Friday, the bulk of the day was spent rehearsing for the Lucky 7s concert that night. Our concert was at Kilbourn Park, and was part of the Jazz Institue of Chicago’s Jazz City series. What a great scene. It was a free concert in a park building. The only down side was that the park building it was in was a gym, so the acoustics were less than ideal. The sound guy was good, and it was the best sounding musical experience I have ever had in a gym, but it was still a gym. There were lots of people there, including many children, which I really love to see. Kids joyfully dancing to non-mainstream music is a sign that there is hope for society. The Jazz Institute does some really good work there in Chicago. I’d like to offer special thanks to Dan Melnick and Lauren Deutsch for making that concert happen.

After our gig, Jeb was playing with The Engines at The Velvet Lounge. They sounded great. It was nice to just sit and listen to live music, without having to worry about playing the next set, or MCing, or anything.

Saturday afternoon, Jeb and I spent some time dealing with mixing the new Lucky 7s material, if you can call stuff recorded last July new. We made some good headway, so there still is a chance that a new Lucky 7s CD will be out sometime this decade.

Saturday night, I played my quartet book with my Lucky 7s colleagues Matt Golombisky (bass) and Quin Kirchner (drums), plus alto saxophonist Greg Ward, at a nice cozy space called Brown Rice. The venue records the shows, and the recording sounds great. I’ll post some excerpts at some point. I had never played with Greg before, and it was a blast. He is a great musician, and always did just what the music needed, even if I didn’t know the music needed that until he did it. If it is at all within my control, I’ll make more music with Greg in the future.

jaq_brownrice.jpg

Lousy phone pic… L to R: Me (looking as tired as I was), Quin, Matt, and Greg

improvising across cultures

Last week on the Open ears Music Series, we had the pleasure of hosting the fabulous Dutch trombonist, Wolter Wierbos. The musicians for the night were all trombonists. In addition to Wolter, there was Big Sam Williams (Big Sam’s Funky Nation, former Dirty Dozen), Mark McGrain, Rick Trolsen (Neslort, Gringo do Choro, former Bonerama), and me. Wolter played a solo set, then we played each possible duo combination, then a grand finale with all five of us. It was all freely improvised music.

There were a couple of things about the evening that were interesting to me. None of these things should be surprising, but I marvel at them every time anyway. The first marvelous aspect of the evening was how 5 trombonists from rather different musical and cultural backgrounds can find common musical space so quickly and easily. I guess aspect 1a would be how we each can pretty readily leave our comfort zones in search of good music. Secondly, I was pleasantly surprised that 40-50 people hung all night and listened to the five trombonists. This shouldn’t surprise me, because I thought the music was good, so it should follow that people would want to hear the good music. That number of people willing to stretch their ears (in New Orleans) is very encouraging.

You can hear what happened here, and see some of it here.

internet radio – accujazz

Thus far, I haven’t really been a big internet radio listener. I don’t know if it is that I haven’t found a station that I really liked, or if it is that when I sit at my computer, I have access to a >100GB music library that I have already vetted. I guess if I had a cubicle day job I would have sorted this out much sooner.

Yesterday, I got an email alerting me to the existence of accujazz.com . So far so good. There are multiple “subchannels”, apparently with more to come. The “New School” channel has served up Rahsaan Roland Kirk, Cecil Taylor, Mal Waldron & Steve Lacy, and other good stuff much of which hasn’t been in my collection. It has also served up some Wynton, and some odd not-in-English “jazz” vocals.

If you are looking for a new listening place, accujazz.com is worth investigating.

cultural surrealism

All I can add is”…wow…”

To The Point News – ROCKING RUSSKIES: “Now consider the Finnish rock band called The Leningrad Cowboys. A little while ago, they held a concert in Russia, in which – to the screaming applause of Russkie teen-agers – they got the Red Army Choir to join them on stage for a performance of “Sweet Home Alabama.” In English. You couldn’t make this up.”

(Via Phil on the trombone-l.)

Jazz Beyond Jazz: Musicians dread words

Howard Mandel presents an interesting angle on the artist/critic relationship.

Jazz Beyond Jazz: Musicians dread words: “Publicist Blake Zidell, no stranger to the particularities of musicians, presenters, freelance critics and others on the New York City scene, was apologetic. “Maybe you’ve run into this before with him: John is happy to extend press tickets to you tonight, as long as you don’t write about it.””

Recent Listening

I don’t really have the time or inclination at this point to write full on reviews, but here are some albums that I have picked up recently, that I have really been digging.

Josh Roseman New Constellations Live in Vienna

Josh Roseman’s New Constellations band is a marvelous synthesis of several bags that I love. The Jamaican vibe is present throughout. Can instrumental music be conscious music? This CD makes me say, “yes, it can.” Josh is a real creative voice, both as an instigator and trombonist.

Keefe Jackson’s Project Project Just Like This

This is Keefe’s second release under his name for Delmark. 3/4’s of the Lucky 7s are on this CD, plus many of my other wonderfully creative Chicago friends, colleagues, and acquaintances, so I am predisposed to like this CD. It is a great mix of tasty large ensemble writing, and spirited improvisations.

Luis Bonilla and Trombonilla Terminal Clarity

I haven’t been too familiar with Luis Bonilla, other than in his role as a member of the Vanguard Jazz Orchestra. I read a review of Terminal Clarity on AAJ, and it looked interesting. It is. Really interesting modern jazz improvisers, with a groovin’ latin rhythm section, and the freedom/resposibility of no harmonic instrument.

New Orleans scene is gaining momentum

As New Orleans continues to rebuild and regain itself, the out/creative/free jazz/whatever scene is starting to get some traction. Andy Durta (Scatterjazz) has started booking ir-regular Sunday nights at the Hi-Ho Lounge on St Claude, and the last couple have been great, including last Sunday’s Neslort performance. The Saturn Bar has also opened up to some more adventurous music, which I believe might also have something to do with Andy. Rob Cambre’s AnxSnd is as vibrant as ever. McKeown’s Books has been hosting more performances, and the Open Ears Series has been having good audiences and music. I especially dug the Jimbo Walsh Quartet last week.

It is feeling like a good time to be creative in New Orleans.

Lucky 7s in Cadence year end list

One of the cool things about the way Cadence does their year end lists, is that they print each of their writer’s lists. This is nice, in that as you get to know the tastes of the writers, you have some idea about how to weight each one’s list for your own use.

The Lucky 7s CD, Farragut, made the top of Grego Edwards’ list for 2007. Even though the CD came out in late 2006, it was reviewed in Cadence in 2007, so it qualified for the 2007 lists. It’s nice to still be on someone’s mind so many months later. We’re in pretty good company too, other people on Grego’s list include Roscoe Mitchell, Peter Kowald, and Steve Swell.

If this piece of information inspires you to pick up a copy, that’s fine with me. 😉