sideman business practice comes to audience members

When I first decided to be a professional musician, my goal was to be a great craftsman musician. I wanted to be the cat who got called for anything that used a trombone. My goals have since developed into more specifically artistic ones, but I feel good about what I did as a jack of many trades trombonist. I played symphonies, and operas, and reggae bands, and had cool gigs with “big acts” as far ranging as Ronnie Milsap and Stevie Wonder. Coming up in that “sideman” scene, one learns much about the etiquette and unwritten rules of behavior that one must follow to remain regularly employed. One of the rules that can vary geographically, and even by sub-scene, is when it is or isn’t cool to send a sub. In New Orleans it is never cool to send a sub with out telling he leader, but on certain gigs, it is acceptable to call the leader and say “hey, something came up and I can’t do Saturday, but Jerry will be there to sub for me.”

Today I received an email from the great trombonist/composer/teacher Ed Neumeister. If you are not hip to Ed, check him out, his stuff is great. The email was letting his mailing list know about some upcoming performances and DVD releases. (Check the website for that info) Ed came through the New York craftsman scene on the way to where he is now, so I loved it when he closed his email:

Mark your calendar now.

Hope to see you there. Thanks!

Keep in touch.

Ed

PS if you can’t make it, please send a sub….

Jacob Garchik : Unis

I stumbled across this video on Jacob’s MySpace page today. I’ve got this CD, and have liked it since I got it, but seeing them perform this piece, really helped me understand the structure. The trombone dork in me is trying not to go into a long post about the cool old tuning-in-the-slide Conn that Jacob is playing, and how fabulous he sounds on it. I’ll shut up, just watch and listen.

Richmond Marching Band assembles, gets busted

Apparently some fun and creative Richmond, VA musicians are forming a community marching band. Their first rehearsal was today, and it drew some governmental attention. Once in high school, a police officer showed up at a jam session we were having in the bassist’s carport. That feeling of seeing a cop pull up to your musical gathering is a neat combination of fear and pride.

RVAjazz: Richmond Marching Band assembles, gets busted:

“Two police officers casually strutted over to our rehearsal in the middle of the park. Like any appropriately-sized marching band, we were very loud. We were apparently too loud for the residents living next to the park. To paraphrase one of the cops, ‘They won’t call us about people doing drugs in the park, but they’ll call about things like this.'”

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Read the whole account here.

Pazz and Jop with The Bad Plus | Indie Music Blog

I have mentioned the new TBP album here before, and the review linked below is a pretty good take on it. I really like the term “art rock song.”

Pazz and Jop with The Bad Plus | Indie Music Blog:

“I have almost always enjoyed their fusions of rock and jazz, not in the sense of 70s and 80-s era ‘jazz fusion,’ but a new hybrid that creates a type of ‘art rock song.’  The inclusion of an actual vocalist is a logical extension of these efforts.”

Uriel Jones, a Motown Drummer, Dies at 74 – Obituary (Obit) – NYTimes.com

I was saddened to read this.

Uriel Jones, a Motown Drummer, Dies at 74 – Obituary (Obit) – NYTimes.com

If you haven’t seen “Standing in the Shadows of Motown,” WATCH IT! It is excellent. And Uriel is great in it.

I had the pleasure of getting to be part of the horn section for a Funk Brothers show in New Orleans in May of 2004. Uriel was on that gig, and he was such a pleasure to work with. He had a good time, treated us extras with great respect, and still played his butt off.

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This is some of the band backstage before the show. I feel bad that I can’t remember two of the guys names in this pic, but it is (l to r) Ray ??, Bob Babbitt, Larry Sieberth, Joe Hunter, Tom Scott, Barney Floyd, ??, Uriel Jones, and me.

Gratkowski and Drake @ Zeitgeist

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Last Friday night we had the treat of having Frank Gratkowski and Hamid Drake perform in New Orleans. The concert was at Zeitgeist, and they were joined by Tim Green (tenor sax) and Bill Hunsinger (bass and things). It was a great show. Grooves, melodies, free jazz circus music, the sound of a 1977 Pontiac that needs power steering fluid..

One thing that makes hearing great musicians even more rewarding is knowing that they are cool people too. We had a nice Bywater meat hang after the gig, with lots of sausages and salamis, and grits and goat cheese. Hmm…grits and goat cheese might be a song title.

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Pictured: Frank with venison sausage, seated next to cellist Helen Gillet.