Jazz Fest in Place

WWOZ is playing sets from past Jazz Fests during the times that Jazz Fest would have been happening. Tune in at 90.7 FM in the New Orleans area or www.wwoz.org. Full listings are here: https://www.wwoz.org/640011-jazz-festing-place-cubes

You can hear me at 12:30 pm on Friday, April 24 on the 2018 Luther Kent & Trick Bag set, and at 4:30 pm on Thursday, April 30 on the Delfeayo Marsalis and the Uptown Orchestra set from 2015. There is a two week archive as well

It is almost like having gigs…ok, not really, but it is better than nothing.

Ellis Marsalis (1934-2020)

I just learned of the passing of Ellis Marsalis, Jr., the great pianist and teacher. There will be many greater eulogies and histories across the internet, so I just want to tell one story. I got my MM from the University if New Orleans when Ellis taught there. He conducted the Concert Jazz Orchestra and was on my graduate committee. The jazz orchestra took a trip to Salvador, Bahia, Brazil right as I was graduating, and I was the de facto road manager for the band as part of my assistantship. There are many great stories from that trip, but my favorite has to do with a music school that was up the hill in the favela. The father of an exchange student at UNO ran the school and Ellis and the band visited one afternoon. When Ellis asked the folks in the neighborhood if they were coming to our concert on Friday night, people laughed. We did not know that a ticket to our concert downtown in the theater was more than one month’s salary for most of the people in this neighborhood. When Ellis heard this he immediately said, “oh, well then we will come play a concert here Saturday afternoon.” We did, and the joy of Brazilian children dancing to Thad Jones’s “Groove Merchant” is forever burned into my memory. That is the great man I remember. RIP Mr. Marsalis.

Thoughts on the mortality of a friend

On December 12, a friend died. She was younger than me, and had only known about her cancer for 11 months. Those 11 months contained some fear and some optimism. At one point she asked fearfully, “what if I die? What will my life have meant?” I didn’t know how to answer. I mentioned her many students and friends and all of the other people whose days and lives she brightened, but I don’t think that was what she wanted to hear.

After her death, a friend from her teenage years shared something that was written 20+ years ago. in 1997, my now deceased friend wrote, “One more thing: When I die, I would like to be remembered as an open person, open to the world. With big and understanding eyes that have seen and see lots of things. More than full of knowledge, wise (in the greek sense, I mean, I don’t want to tell books by memory, but know how to live and help others to do the same).” (This was translated from Spanish)

That is a lovely and accurate description of my friend. She was open and understanding and wise. She successfully lived the life she imagined for herself when she was a teenager. May we all live so successfully. Rest in peace my friend.

Is the future now? Ok then, when is it?

The last time this blog was REALLY active, Spotify was not yet a thing, Napster was a problem, iTunes only sold downloads, and MySpace was still a real thing. A lot has happened since then, and I wonder, are we better off? I ask this question in two domains: how people hear our music, and how we connect with the people who (may) want to hear our music.

Let’s start with how people hear our music. I probably wrote somewhere on this blog something to the effect of, “once we find a way for cheap easy legal music distribution, piracy will be a thing of the past (or at least we will quit talking about it).” That has become true. It is now way easier for people to hear my music, and I believe more people are hearing my music. I’m probably not making much less money from recorded music now than I was then. Those all sound like wins, but my concern is around the question of control. Since people are getting to my music through Spotify, Apple Music, Deezer, or even Bandcamp, I am in a position in which a policy change by any of these companies can effect how I get music to the people who want to hear it. What happened to the internet being democratizing, and removing the middle men (people/entities/bots?)? Why can’t I simply directly interact with my listeners?

Which brings me to how we interact with our listeners (or friendly experiencers to quote a favorite artist). Social media has the same problem streaming services have: when they change policy it thwarts our plans to reach people. I liked email lists…apparently I was the only one. How do we get to a system that lets people get the information they want from the artist/label/venue directly? I don’t want to have to figure out Facebook algorithms (or Instagram or whoever, and yes, I know they are really the same thing) to get to people who already know they want information from me (or my series or whatever). I get playing the social media game to find new listeners, but can we be in control of the relationships we already have? Is text/SMS lists the new thing?

I would love it if you would comment with your thoughts.

A year?

It is hard to believe it has been over a year since I posted anything here. I need to change that. I am in Chicago right now for the Instigation Festival. My band Unanimous Sources played last night at Constellation, and today the Instigation Orchestra played a new composition by Katinka Kleijn.

Jeff Albert, Katinka Kleijn, and Steve Marquette