eMotion gestural control system

A few years ago I met a Chet Udell at a SEAMUS conference. He is a composer/technologist, a nice guy, and he wrote a great piece for trombone, piano and computer stuff. We have kept in touch, mostly via running into each other at conferences and whatnot.

Last fall, I saw him do a demo of a new gesture control system that he has been developing, and the possibilities were pretty exciting.

He is nearing the end of the Kickstarter for it. If you are curious about that sort of thing, check it out.

Visit the page here: http://kck.st/1gTwSCF

Sera Jey Monks at Loyola!

The Loyola University Department of Music Industry Studies, the Department of Theatre Arts and Dance, and the Office of Mission and Ministry are pleased to host the Tibetan Buddhist monks from the Sera Jey Monastery in Bylakuppe, India, one of the premier leading Buddhist monastic institutes in the world.
November 12 – 14, 2013

The Sera Jey monks are on a U.S. tour to perform sacred music and art. Their aim is to sow the seeds of world harmony and compassion, and to bring attention to their monastic secondary school in India. The monks will create a sand mandala and perform sacred music on Loyola’s campus.

Sand Mandala for Compassion:
November 12, 13, 14
Time: 9:00am – 5:00pm
Location: Loyola University — Danna Student Center, first floor lobby
Opening Ceremony 9:00 – 9:30 a.m. — Tuesday, November 12, 2013
Closing Ceremony 4:30 – 5:00 p.m. — Thursday, November 14, 2013
Sacred Music and Discussion:
Thursday, November 14, 2013
7:30 pm
Nunemaker Auditorium
Monroe Hall
6363 St Charles Ave, New Orleans, LA 70118

All events are free and open to the public. Donations to the monks are accepted.
For further information, contact: John Snyder, 504-865-3984; jsnyder@loyno.edu.

Sand Mandala for Compassion:
The Sand Mandala is a Tibetan Buddhist tradition of drawing a sacred design with colorful sands. Each mandala symbolically represents the palace of enlightened activities of a specific Buddha and his entourage. Every aspect has a symbolic meaning, nothing is arbitrary. The mandala is used as a base for meditation to spread blessings and inspirations. The mandala will be dissolved with prayers; the dissolution represents the impermanence of life. After the closing ceremony, the monks will distribute sand to attendees as a blessing and pour the sand into a body of water to spread compassion.

Sacred Music Performance:
The Tibetan monastic music and dance tradition originated with the earliest Buddhist practice. The great masters of the Buddhist lineages passed their visions of deities’ movements to their students through sound and music. The sound of the drum represents religion itself. The monks who perform scared dance aim at subduing such negativities as violence, disease, ignorance, jealousy, and hatred.

http://www.serajeymonastery.org/secondary-school

The Tree on The Mound

The Tree on the Mound is the new CD by Jeff Albert’s Instigation Quartet featuring Kidd Jordan, Hamid Drake, and Joshua Abrams, released by the Paris based RogueArt Label.

Totm cover

Get more information on the label website. Ordering direct from the label will give the most support to the people who work hard and take risks to release good music. Order here, especially if you are in Europe.

The CD is also available in finer stores and online outlets like JazzLoft, Dusty Groove, Downtown Music Gallery, and Squidco among others.

Thanks for listening.

» SIX YEARS OF DEST: OUT Our Beginner’s Guide to Free Jazz

The wonderful blog destination:Out is celebrating its 6th birthday with a great post. Good reading and great listening. Even for those of us who listen to “free jazz” often, it is a good read. If we all approached our friends and potential audience members with this attitude, the world would be a better place.

» SIX YEARS OF DEST: OUT Our Beginner’s Guide to Free Jazz destination: OUT:

“2. I DON’T KNOW HOW TO LISTEN TO FREE JAZZ.
OR: HOW DO YOU TELL THE GOOD STUFF FROM THE BAD?
Relax and trust your instincts. Most people automatically assume that there’s something in Free Jazz they’re not getting. Like you need conservatory training to appreciate what the musicians are doing. Or that there’s some secret content you’re not privy to. Nonsense: It’s just sound. Sometimes complex and abrasive, sometimes funky and buoyant. There’s no code to be broken.”

Music Universe, Music Mind

I just finished reading this book about the Creative Music Studio, Karl Berger’s school in Woodstock in the 1970’s and early 1980’s. It isn’t too long and is a pretty easy read that offers some great stories and nuggets of wisdom from the participants in CMS.

Mumm j1

Tim Daisy/Ken Vandermark Duo at Open Ears 7/26

I don’t usually use this space to push upcoming Open Ears events, but tomorrow night’s show should be special. We are fortunate to be able to host the New Orleans stop on the Tim Daisy/Ken Vandermark Duo tour. The show is in the Blue Nile Balcony Room on Tuesday July 26, 2011, sometime after 10 PM CDT. The concert will be broadcast on WWOZ (90.7 FM in New Orleans and wwoz.org everywhere else), so if you aren’t in New Orleans, or can’t get to the club, please listen online, or the radio. There is a $10 suggested donation.

Read the Time-Picayune’s preview of the show.

Ken tim

Tim (on left) and Ken rock their excited look.

Ken Vandermark plays woodwind instruments, composes, and makes things happen. He’s had a number of groups, and is probably best known for his long running quintet The Vandermark 5. In 1999 he won a MacArthur Foundation “genius” grant.

Tim Daisy is a composer and percussionist. He has been a member of several of Ken’s bands and on top of that is a busy member of the Chicago scene. I have heard a rumor that Tim is a Slovenian free jazz rock star, and I know he knows where to find the best pho in Chicago.

These guys are special, don’t miss it.

Thoughts on an Astral Project show, or I feel like a teenager again

My step-son (Blake) asked me to take him and a friend (Taylor) to hear Astral Project at Snug Harbor tonight. One of the cool things about Snug (and there are many) is that young people are allowed to come in to the club and hear the music, when accompanied by an adult. There aren’t many places that 17 year old aspiring musicians can go to hear good live jazz.

I hadn’t heard Astral Project live in quite some time. I was nice to be reminded how great they are. When I was about the age of Blake and Taylor, I spent a lot of time listening to Astral Project. Many of my early musical inspirations and revelations happened at Astral Project shows. I hadn’t thought about that music much recently, but tonight I was reminded how much the sound of this band is a foundational aspect of my musical and aesthetic DNA. I realized that most jazz drummers leave me flat, because I want them to be Johnny Vidacovich. I remembered a night in Dixon Hall at Tulane, when I heard Tony Dagradi, and his sound made me want to find a voice on trombone that is that personal and vibrant. They are really a special band, and it was nice to be reminded of that tonight.

I have been trying to do a good job of exposing Blake to good music, and giving him a chance to find the things that he likes. He returned the favor tonight by asking me to take him to a show that left me feeling just as inspired as it left him. I love the nights that remind us that music is fun.