The Tree on the Mound is the new CD by Jeff Albert’s Instigation Quartet featuring Kidd Jordan, Hamid Drake, and Joshua Abrams, released by the Paris based RogueArt Label.
Get more information on the label website. Ordering direct from the label will give the most support to the people who work hard and take risks to release good music. Order here, especially if you are in Europe.
The CD is also available in finer stores and online outlets like JazzLoft, Dusty Groove, Downtown Music Gallery, and Squidco among others.
Thanks for listening.
Bass Parade on Vimeo
We are nearing Mardi Gras. You should watch this short film by my friend John Worthington. It will help it makes sense…a little.
I am involved in a new organization that will be presenting improvised music in New Orleans. Our first concert is December 12.
The wonderful blog destination:Out is celebrating its 6th birthday with a great post. Good reading and great listening. Even for those of us who listen to “free jazz” often, it is a good read. If we all approached our friends and potential audience members with this attitude, the world would be a better place.
» SIX YEARS OF DEST: OUT Our Beginner’s Guide to Free Jazz destination: OUT:
“2. I DON’T KNOW HOW TO LISTEN TO FREE JAZZ.
OR: HOW DO YOU TELL THE GOOD STUFF FROM THE BAD?
Relax and trust your instincts. Most people automatically assume that there’s something in Free Jazz they’re not getting. Like you need conservatory training to appreciate what the musicians are doing. Or that there’s some secret content you’re not privy to. Nonsense: It’s just sound. Sometimes complex and abrasive, sometimes funky and buoyant. There’s no code to be broken.”
I just finished reading this book about the Creative Music Studio, Karl Berger’s school in Woodstock in the 1970′s and early 1980′s. It isn’t too long and is a pretty easy read that offers some great stories and nuggets of wisdom from the participants in CMS.
I don’t usually use this space to push upcoming Open Ears events, but tomorrow night’s show should be special. We are fortunate to be able to host the New Orleans stop on the Tim Daisy/Ken Vandermark Duo tour. The show is in the Blue Nile Balcony Room on Tuesday July 26, 2011, sometime after 10 PM CDT. The concert will be broadcast on WWOZ (90.7 FM in New Orleans and wwoz.org everywhere else), so if you aren’t in New Orleans, or can’t get to the club, please listen online, or the radio. There is a $10 suggested donation.
Read the Time-Picayune’s preview of the show.
Tim (on left) and Ken rock their excited look.
Ken Vandermark plays woodwind instruments, composes, and makes things happen. He’s had a number of groups, and is probably best known for his long running quintet The Vandermark 5. In 1999 he won a MacArthur Foundation “genius” grant.
Tim Daisy is a composer and percussionist. He has been a member of several of Ken’s bands and on top of that is a busy member of the Chicago scene. I have heard a rumor that Tim is a Slovenian free jazz rock star, and I know he knows where to find the best pho in Chicago.
These guys are special, don’t miss it.
My step-son (Blake) asked me to take him and a friend (Taylor) to hear Astral Project at Snug Harbor tonight. One of the cool things about Snug (and there are many) is that young people are allowed to come in to the club and hear the music, when accompanied by an adult. There aren’t many places that 17 year old aspiring musicians can go to hear good live jazz.
I hadn’t heard Astral Project live in quite some time. I was nice to be reminded how great they are. When I was about the age of Blake and Taylor, I spent a lot of time listening to Astral Project. Many of my early musical inspirations and revelations happened at Astral Project shows. I hadn’t thought about that music much recently, but tonight I was reminded how much the sound of this band is a foundational aspect of my musical and aesthetic DNA. I realized that most jazz drummers leave me flat, because I want them to be Johnny Vidacovich. I remembered a night in Dixon Hall at Tulane, when I heard Tony Dagradi, and his sound made me want to find a voice on trombone that is that personal and vibrant. They are really a special band, and it was nice to be reminded of that tonight.
I have been trying to do a good job of exposing Blake to good music, and giving him a chance to find the things that he likes. He returned the favor tonight by asking me to take him to a show that left me feeling just as inspired as it left him. I love the nights that remind us that music is fun.
The Improvisation of Musical Dialogue
A Phenomenology of Music
Bruce Ellis Benson, Wheaton College, Illinois
Paperback
ISBN: 9780521009324
Publication date: February 2003
This is the one book I finished during my many hours on airplanes in the past few weeks. I highly recommend it for those of you who like to look for the realities of musical practice, and not settle for the myths that we have adopted about what we do. It isn’t so much about improvisation, but it is quite interesting as a phenomenology of music.
I try not to be too trombone-centric in my listening or writing, but this post is about new music from two trombonist led trios.
Jeb Bishop has just released a CD by his new trio that features Jason Roebke on bass, and Frank Rosaly on drums. Jeb was one of my favorite trombonists before he became a close friend, collaborator, and colleague. I think this is some of his best recorded work. I was honored that Jeb asked me to mix and master this CD (or at least turn the virtual knobs and faders until he liked what he heard). I spent lots of time with this music in my ears throughout the mixing process, and I still like to listen to it. That’s a pretty strong endorsement. You can hear samples at CD Baby.
In other trombone trio news, Jacob Garchik has posted a recording of his trio that was made at Ibeam in Brooklyn on April 10, 2010. There is a zip file of 256k mp3s, and youtube video of the entire concert as well. Check it out here.
Here are a few albums I have been enjoying recently:
The covers each link to the album’s eMusic page, where you can hear samples, etc.
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