The last time this blog was REALLY active, Spotify was not yet a thing, Napster was a problem, iTunes only sold downloads, and MySpace was still a real thing. A lot has happened since then, and I wonder, are we better off? I ask this question in two domains: how people hear our music, and how we connect with the people who (may) want to hear our music.
Let’s start with how people hear our music. I probably wrote somewhere on this blog something to the effect of, “once we find a way for cheap easy legal music distribution, piracy will be a thing of the past (or at least we will quit talking about it).” That has become true. It is now way easier for people to hear my music, and I believe more people are hearing my music. I’m probably not making much less money from recorded music now than I was then. Those all sound like wins, but my concern is around the question of control. Since people are getting to my music through Spotify, Apple Music, Deezer, or even Bandcamp, I am in a position in which a policy change by any of these companies can effect how I get music to the people who want to hear it. What happened to the internet being democratizing, and removing the middle men (people/entities/bots?)? Why can’t I simply directly interact with my listeners?
Which brings me to how we interact with our listeners (or friendly experiencers to quote a favorite artist). Social media has the same problem streaming services have: when they change policy it thwarts our plans to reach people. I liked email lists…apparently I was the only one. How do we get to a system that lets people get the information they want from the artist/label/venue directly? I don’t want to have to figure out Facebook algorithms (or Instagram or whoever, and yes, I know they are really the same thing) to get to people who already know they want information from me (or my series or whatever). I get playing the social media game to find new listeners, but can we be in control of the relationships we already have? Is text/SMS lists the new thing?
I would love it if you would comment with your thoughts.
It is hard to believe it has been over a year since I posted anything here. I need to change that. I am in Chicago right now for the Instigation Festival. My band Unanimous Sources played last night at Constellation, and today the Instigation Orchestra played a new composition by Katinka Kleijn.
Lot’s of music and sound fun this weekend at Southern Sonic. Kim Alpert and I have a piece being premiered by Versipel New Music Collective at 7:30 on Friday the 11th, I am also playing in an improvised trio with Simon Lott and Chris Alford at 10 pm on Friday. I will be part of a panel on music presenting on Sunday at 2pm. Lots of other good stuff throughout the weekend.
The ranking of creative activity often strikes me as awkward at best, and counter-productive at worst. Competitive cooking shows are a great example. One chef leaves in tears, as I am thinking, “that looks great, pass that plate over here.” “This band is better than that band” always seems like a futile exercise.
Last night we attended the big end of the season high school marching band competition. My daughter is in one of the bands that competed. This competition has a prelims and finals format. They played two great shows. I think the best two shows they have played all season. When the rankings were announced after finals, they did not place as high as many hoped, or expected. There are some natural emotional reactions that can flow out in times like that. But, it made me remember something that my step-son said to me a few years ago.
My step-son, Blake, spent three summers performing on the DCI Tour with the Madison Scouts. (DCI is the highest level of marching band field show in the world. They would be pros, except you have to pay to do it…maybe another post.) At the end of one of Blake’s seasons, as I picked him up at the airport the day after finals, I commented that I thought they should have placed much higher. His response taught me something. He said that they had played one of their best shows of the season, and the audience loved it, and that was what they were there to do; be as good as they could be, and make something that moved people. They did that, and it was a success in his mind.
I feel like that is what my daughter’s band did last night. They performed as well as they could, and people liked it. That’s all that really matters.
…and that third place cheesecake can still make someone VERY happy.
One of the joys of teaching is that your students graduate (well, some drop out), then they go and do cool stuff. One of my new favorite bands is Dad?. The shows are fun, and the people in the band are some of my favorites.
Dad? Saturday at the Saturn Bar.
Me and the band pre-show. (Note, this band is so cool that George Porter, Jr. took this picture)
The Music Industry Studies Program at Loyola University New Orleans (where I teach) has a weekly forum with all of our students. A couple of months ago our guest speaker was ill, so I put together a discussion on ideas around genre. There is video evidence. The talk starts about 10:30 in, after the student announcements.
“Comparing artists to start-ups is a trend that has emerged this last couple of years as music and tech became ever more increasingly tied and the latter churned out its daily dose of spectacular stories and unicorns. When a particular field is successful, it would be a shame not to try to find some key take aways and apply them to an ecosystem like music where everything has been challenged and turned upside down these last 15 years or so.”
“Inventiveness and innovation require intelligence, but beyond intelligence they entail imagination, that is, the mental agility to make a leap beyond the accepted paradigm to another and to see the relationship between them that has escaped others. Training in the humanities is a training, if all goes well, in exploring “the other” and seeing how it relates to the known—an exercise in imagination. The cultivation of this skill is certainly not exclusive to the humanities, but they are especially apt for it. ” – John W. O’Malley S.J.
“If sentimentality is the synonym of nostalgia, then the antonym is anticipation, and maybe a better word would be modernity. That word comes to mind spinning the trio recording New Normal by trombonist Jeff Albert, drummer Dave Cappello and their guest, bassist William Parker. “