Territory Band 4 – Company Switch

Dealing with free improvisation in the context of a large ensemble has always been a challenge. Sometimes a larger group just means more and louder noise. Other times, it can mean more arranged material and a lesser feeling of freedom. On Company Switch, Territory Band – 4 does a good job of balancing those extremes, and creating interesting and challenging music.

There are times when the music really swings in a spirited manner similar to the great Coltrane quartet. The rambunctious blowing one can expect from most Ken Vandermark projects is also present. The noisy elements of this CD receive great contributions from the guitar and electronics. The approach to the acoustic parts of the music is so, well acoustic, that the electronic entrances can be jarring. I am fairly confident that this is the intended effect. I don’t really like the way the acoustic instruments and the electric ones are mixed, but that is more likely a function of personal taste than bad production practices.

The album is made up of 2 CDs with three tracks each. The third track on the first disc is entitled “Franja.” This cut alone is worth the price of admission. It manages to effectively touch all of the bands varied musical bases in just under 21 minutes, and the music that happens during Fredrik Ljungkvist’s tenor sax solo is astounding.

This isn’t music that works in the background as you go about your daily business. The dynamic range is wide and the subtleties are an integral part of the musical experience. As with most music that stretches, Company Switch rewards the attentive listener.

This Cd is on the Okka Disk label.

Record label to music fans: no song lyrics on your computer!

Boing Boing: Record label to music fans: no song lyrics on your computer!

This guy wasn’t even hosting the lyrics. He just wrote a freeware tool to find and display lyrics that are already on display on the web.

I understand that all of the sites that post song lyrics are violating copyrights, but this guy is violating copyrights no more than the makers of Internet Explorer, which can do pretty much what this guy’s app does.

I understand the need to protect one’s copyrights, but many of these music labels and publishers seem like they don’t get it, on a very basic level.

UPDATE 12/16/05: According to this CNET article Warner/Chappell has issued an apology.

Oops…our bad.

Rob Wagner trio with Hamid Drake and Nobu Ozaki

I heard some great music tonight. Before the hurricane, Rob Wagner played Monday nights at dba steadily for a couple of years at least. He was back tonight, with Nobu Ozaki on bass, and Hamid Drake on drums. They are all in town to record Rob’s next CD.

Rob Wagner Trio 2

The music was great. These particular guys have not played together a great deal, so each member of the group was extra attentive, and the focus payed off. The music was nimble and lively with a buoyant spirit about it. The musicians interacted gracefully, but were not hesitant to follow the music to its boisterous heights.

They go into the studio this week. I look forward to hearing the results.

A Model For Big Content?

Artists are always trying to find new ways to finance the creation of their art, and ways to connect with an audience.

Artist Share worked well for Maria Schneider who won a Grammy for a CD available only online and finaced through listener support.

The concept outlined in the following link combines the fan support with an open license concept. Pretty cool. It could work if you have enough fans with enough trust.

OpenBusiness » Blog Archive » A Model For Big Content?

Young ‘prefer illegal song swaps’

From a BBC story ,BBC NEWS | Entertainment | Young ‘prefer illegal song swaps’ :

Jupiter analyst Mark Mulligan said: “The digital youth of today are being brought up on a near limitless diet of free and disposable music from file-sharing networks.

“When these consumers age and increase spending power they should become key music buying consumers.

He added: “Unless the music industry can transition these consumers whilst they are young away from free consumption to paid music formats, be they digital or CDs, they may never develop music purchasing behaviour and the recording industry could suffer long-term harm.”

I think part of this is because the music industry is seen as a large cold faceless glob of evil, which much of it is. My friend, jazz artist David Gibson, has suggested that as we move to more independent production, that the artists will become the face of their music (instead of a many major labels that seem like they would prefer to sue you, or ruin your computer, as much as sell a CD to you), and people will be less likely to steal it. That seems to make sense.

Canadian artist Jane Siberry has a digital music store that seems to run on that theory. There is a nice description of the principle in this Boing Boing post.