Recent listening

Some things that have been in my ears a lot lately:

Magic triangle cover
Dave Douglas – Magic Triangle
A pianoless quartet with Chris Potter. Nice music coming from the heritage of Ornette. I picked this up from DD’s very cool download store.

FME- Cuts cover
Free Music Ensemble – Cuts
Ken Vandermark, Nate McBride, and Paal Nilssen-Love. All of the fire and funk and noise that you expect from a Vandermark project.

turre spirits cover
Steve Turre – The Spirits Up Above
The music of Rahsaan Roland Kirk. Turre played in Rahsaan’s band, and this disc really captures the spirit of that music. James Carter is slammin’.

legal downloads rise, fueled by broadband

CD sales fall as downloads rise, fueled by broadband

There are more than 230 online sites where consumers can buy music legally, up from 50 a year ago, according to the International Federation of the Phonographic Industry.

Soon, you will be able to go to any artist’s website and download their music, or order a CD that will be made on demand and shipped to you. Little or no inventory cost will allow artists to make the rcordings that they want to make, without regard for packaging and distribution costs that may or may not be recouped.

My DRM-free mp3 store will be up in a few weeks.

Brian O’Neill 1955-2005

We have lost a wonderful man and a fabulous musician. Brian O’Neill passed away Thursday night. Brian was becoming well known as the bass trombonist in Bonerama, but those of us in New Orleans, and Buffalo, and up and down the Mississippi have known for a long time, that Brian was the best. He played wonderful trombone, and piano, and sang. He was also one of the best writers and arrangers around.

There is a nice photo tribute to Brian on the Bonerama website.

Click here to listen a solo he recorded with Bonerama. To paraphrase on of the kids on the OTJF, “the best bass trombone solo I’ve ever heard.”

Dave Douglas on improvisation

Cool thoughts from Dave Douglas.

Greenleaf Music

“If you know what you want why not just write it?”

Because improvisation makes great music. It’s an element of music with explosive potential. Sparks fly when musicians are forced to make choices. The energy of surprise is one of the things I love most in music: The sense that anything could happen. There’s also a power in hearing the individual make a choice that I find captivating. Hearing the voice of an individual musician is one of the hallmarks of jazz, and I believe it’s a strength that can travel.

Greenleaf Music

Self production seems to be the way things are going in the music industry. Internet focused models that help create better connections with listeners, and access to more varied output from the artists are gaining traction. (See Artist Share)

Dave Douglas’ new label, Greenleaf Music, has an interesting subscriber model. Check out their subscriber page for more info on what it entails. They also offer individual song downloads, as well as full album downloads and physical CDs. The downloads are mp3, which implies no DRM, so you can actually listen to the music you buy on the player of your choice. There is a blog and internet radio as well. Looks like a couple of steps in the right direction to me.

Thanks to be.jazz for the heads up.

Territory Band 4 – Company Switch

Dealing with free improvisation in the context of a large ensemble has always been a challenge. Sometimes a larger group just means more and louder noise. Other times, it can mean more arranged material and a lesser feeling of freedom. On Company Switch, Territory Band – 4 does a good job of balancing those extremes, and creating interesting and challenging music.

There are times when the music really swings in a spirited manner similar to the great Coltrane quartet. The rambunctious blowing one can expect from most Ken Vandermark projects is also present. The noisy elements of this CD receive great contributions from the guitar and electronics. The approach to the acoustic parts of the music is so, well acoustic, that the electronic entrances can be jarring. I am fairly confident that this is the intended effect. I don’t really like the way the acoustic instruments and the electric ones are mixed, but that is more likely a function of personal taste than bad production practices.

The album is made up of 2 CDs with three tracks each. The third track on the first disc is entitled “Franja.” This cut alone is worth the price of admission. It manages to effectively touch all of the bands varied musical bases in just under 21 minutes, and the music that happens during Fredrik Ljungkvist’s tenor sax solo is astounding.

This isn’t music that works in the background as you go about your daily business. The dynamic range is wide and the subtleties are an integral part of the musical experience. As with most music that stretches, Company Switch rewards the attentive listener.

This Cd is on the Okka Disk label.

Rob Wagner trio with Hamid Drake and Nobu Ozaki

I heard some great music tonight. Before the hurricane, Rob Wagner played Monday nights at dba steadily for a couple of years at least. He was back tonight, with Nobu Ozaki on bass, and Hamid Drake on drums. They are all in town to record Rob’s next CD.

Rob Wagner Trio 2

The music was great. These particular guys have not played together a great deal, so each member of the group was extra attentive, and the focus payed off. The music was nimble and lively with a buoyant spirit about it. The musicians interacted gracefully, but were not hesitant to follow the music to its boisterous heights.

They go into the studio this week. I look forward to hearing the results.

Young ‘prefer illegal song swaps’

From a BBC story ,BBC NEWS | Entertainment | Young ‘prefer illegal song swaps’ :

Jupiter analyst Mark Mulligan said: “The digital youth of today are being brought up on a near limitless diet of free and disposable music from file-sharing networks.

“When these consumers age and increase spending power they should become key music buying consumers.

He added: “Unless the music industry can transition these consumers whilst they are young away from free consumption to paid music formats, be they digital or CDs, they may never develop music purchasing behaviour and the recording industry could suffer long-term harm.”

I think part of this is because the music industry is seen as a large cold faceless glob of evil, which much of it is. My friend, jazz artist David Gibson, has suggested that as we move to more independent production, that the artists will become the face of their music (instead of a many major labels that seem like they would prefer to sue you, or ruin your computer, as much as sell a CD to you), and people will be less likely to steal it. That seems to make sense.

Canadian artist Jane Siberry has a digital music store that seems to run on that theory. There is a nice description of the principle in this Boing Boing post.

A composer to scare the bejesus out of the IPO

An interesting look at a seemingly grumpy composer.

Haaretz – Israel News – A composer to scare the bejesus out of the IPO

I like this quote:

“Enjoyment is a historical experience. People enjoy Mozart, Dvorak, Berlioz. If I want to enjoy a melody, I go to Schubert. This is a cultural experience. But of a work that was written the day before yesterday, I am critical. The enjoyment is only a part of my listening, a niche. Art is too serious a matter to limit it to the concept of enjoyment. That’s primitive. When a work appeals to taste, it is appealing to a low level: This is the same taste that chooses the color of a car, or upholstery, or a table. This is the same taste that chooses what ice cream to lick. Taste is base artistic judgment.”

Thanks to John W for sending the article my way.