Recent good music hangs – Chicago and Porter’s Birthday

I have noticed that the amount of music I am making is inversely proportional to the amount of time I spend writing here. I guess it is good that I haven’t written much lately, because that means I have been playing a lot.

On December 9th, I spent a very eventful 18 hours in Chicago. BoX3 played the Ears and Eyes Festival, and it was a blast. The festival also provided me the opportunity to hear Zing! and Matt Ulery’s Loom. I have already commented on the Zing! CD, and I picked up a copy of the Matt Ulery’s Loom disc “Music Box Ballerina”, and the James Davis Quintet’s “Angles of Refraction” at the fest. There may be more comments on these CDs later.

Later that night I heard Aram Shelton at the Hungry Brain. The first set was solo Aram with alto sax and laptop. He did a nice job of integrating the two and having it make some sense, which can be very difficult. The second set was Aram with Josh Berman on cornet, Jeff Parker on guitar, Jason Roebke on bass, and Frank Rosaly on drums. They sounded great. I had had a long day and Dan was pouring quickly, so I can’t offer too many specifics, but it was an enjoyable listen, and good to see and hear some friends that I don’t get to see or hear often enough.

Every year on December 26th, George Porter, Jr. has a birthday gig at The Howlin Wolf. This year it was quite a production in honor of George’s 60th year. A Who’s Who of New Orleans music was in attendance, and it seemed like half of them showed up on stage at some point. The Runnin’ Pardner horn section joined PBS for a few tunes from the new CD. At one point I looked over and Ivan Neville had jumped on the vacant B3 that was stage left, and Stanton Moore was on the second drumset. Johnny Vidacovich played, as did Raymond Weber. At one point later, Russell left his drums and went to the B3 and Stanton and Raymond were left at the two drumsets. It was a fun jam, and most of it was pretty musical. George is a special cat, and it was nice to be able to be part of acknowledging that on his 60th birthday.

Richard Kamins | See! Hear!: Mr. Miscellany

The following very eloquent statement from Richard Kamins caught my attention. I don’t have much to add, it was just so well said, that I wanted to do my share to see that it is read by as many people as possible.

Richard Kamins | See! Hear!: Mr. Miscellany:

“One thing to keep in mind as the New Year arrives, the creative arts have a tough time surviving without support. That does not mean one has to buy every CD or DVD or book that’s released but really the creative arts needs an audience. … Musicians, poets, performers, as well as directors, authors and set designers need feedback (and not just good or bad reviews in the papers or on blogs.) Applause is important, box office earnings help a lot, yet there’s nothing like stepping out on stage and seeing people in the seats.”

12 days

I am sure this is making the rounds, but I just saw it this morning (thanks to jw). Have a Merry Christmas, Happy Holidays, Crazy Cool Kwanzaa, I hope you had a Happy Hannukah, and please have a great anything else that I may have missed.

Zing!

This is a new disc from some Chicago area friends/colleagues. Matt just laid a copy on me this past week, and I have been enjoying it greatly. More info/samples/purchasing info can be found here.

I’ll get to hear them live (and you can too) at the Ears and Eyes Festival in Chicago on December 9, 2007. They will perform right before BoX3 (which is a trio of trombone and electronics that i do with Dan Oestricher and Justin Peake).

Ethan Iverson on Bill McHenry

One of the best music writer lines I have read…ever… contained in this post:Do The Math : Bill McHenry

It’s sort of like Lester Young playing in a bar on Mars.

Ethan’s review of McHenry’s music was so moving that I had downloaded his new album from eMusic even before I got to the Pres line. (Ok, that’s not entirely true. I was trying to download the new album, but eMusic’s poorly administered and insanely frustrating download software was not cooperating. I finally sorted it out, and am now digging the McHenry as I write this.)

Ethan did something else that I respect in a music writer (or any human for that matter), which was be totally upfront about his motives, interests, and any conflicts thereof. Right on.

Our responsibility as performers

Yesterday I had a great hang with Thollem McDonas, who is in town to perform on the Open Ears Music Series tonight. The conversation turned to audience development at one point, and we were discussing ways to connect audiences and music that might not know they like each other yet. This led to thoughts about our responsibilities as performers, mainly the idea that we have the responsibility to always give honest and convicted performances. We can’t decry a lack of audience for our music, if we aren’t giving those audiences the real deal every time.

I am sure this isn’t anything we don’t already know, but it was on my mind…