Hank Mackie: “Pass”-ing Jazz Guitar to a New Generation
This is a nice tribute piece about Hank Mackie, who is responsible for a generation of great guitarists to come out of New Orleans.
Jeff Albert's blog
Hank Mackie: “Pass”-ing Jazz Guitar to a New Generation
This is a nice tribute piece about Hank Mackie, who is responsible for a generation of great guitarists to come out of New Orleans.
A recent eMusic score that I have been enjoying lately is Papo Vazquez, Live at The Point. It was issued as 2 CDs, Vol. 1 and Vol.2. The music has the great spirit and groove of the NY latin music scene that Papo comes out of, but a jazz concept and American funk vibe are very present as well. The musicians are all excellent, and Vazquez is a superlative trombonist.
Click the covers for links to the CD Universe site with sample sound clips.
I don’t know if it technically qualifies as a mash-up…
Ukulele Orchestra of Great Britain – Google Video
It is definitely…something.
Doug Ramsey has a fun look at Monk cover projects.
Rifftides: Doug Ramsey on jazz and other matters
If you are not a regular Rifftides reader, you are missing some good stuff.
Guardian Unlimited Arts | Arts news | Reggae pioneer Desmond Dekker dies, aged 64
Ska legend Desmond Dekker has died suddenly from a heart attack, his manager said today.
The 64-year-old Jamaican, best known for his 1969 smash hit Israelites, collapsed at his home in Surrey yesterday morning.
Some of my favorite Desmond Dekker tunes include 007 (Shanty Town), Licking Stick, and Nincompoop.
There is a great Dekker 2 CD Anthology that spans 1963-1999. You can hear the history of what became reggae in his work. The first cut “Honour Your Mother and Father” isn’t very far removed from New Orleans R&B. Think Shirley and Lee with added skank guitar. As the discs progress you can hear the development from ska to rock steady to modern reggae.
Desmond Dekker was one of the foundations of the great Jamaican music of the last half of the 20th century. RIP.
There is a new Tuesday night adventure jazz hang in New Orleans at King Bolden’s Bar, 820 N. Rampart St. On May 16, I caught the second set by Martin Krusche’s Magnetic Ear. Martin is a tenor saxophonist and composer, who is originally from Germany, but has lived in New Orleans for quite some time (with a Brooklyn detour in there).
The band Tuesday night was Martin on acoustic and electric tenor sax, Dan Oestricher on bari sax, John Gross on electric sousaphone, Endres Landsnes on drum set and Anthony Cuccia on percussion and sampler. It was slammin’. Original tunes mixed with jazz classics, all with interesting grooves and an open minded attitude. The electronic compents lended an ambient vibe, but solid grooves and reaching improvisations were the real heart of the music.
If you are in New Orleans on a Tuesday, check out King Bolden’s. My band will be there June 6, 2006, and the plan is to have some interesting jazz/improvising group there every Tuesday.
I had the pleaure of sharing a show with Stephen Flinn this past Tuesday at The Big Top. He is a great guy as well as musician. After his solo set, he joined my Improvides Music Trio for a couple of episodes, and we had a blast.
Stephen also has his hustle totally together. He booked an entire San Fransisco to NY solo percussion tour, called it Bald Ambition (based on his chosen hair style, or lack of hair style), THEN got the whole thing sponsored by head shaving product company HeadBlade, of which he is a customer. Way to go Stephen! He got an open minded company to help get some open minded music made. Very cool.
Go here to see his HeadBlade wrapped Honda Element. (Stephen is the May 2006 user of the month).
Good news on the New Orleans venue front! I heard from a fairly reliable source that the Dragon’s Den, once a central venue in the New Orleans adventurous music scene, will re-open in June sometime. The even better part of the rumor is that they fixed the A/C.
YouTube – Aguas de Marco – Tom Jobim
This is a solo version of Elis Regina that Rifftides turned me on to. I linked to the duet with she and Jobim a while back.
The way she songs those phrases and flows with the time is amazing.
Recorda-Me: CECIL TAYLOR Indent
Since words (or even audio) alone cannot convey the intensity of a Cecil Taylor performance, below is a clip of Taylor performing before the cameras of Ron Mann for his documentary Imagine the Sound in 1980. It’s irrefuteable evidence that, love it or hate it, there is nothing quite like the music of Cecil Taylor.
Via be.jazz.