legal downloads rise, fueled by broadband

CD sales fall as downloads rise, fueled by broadband

There are more than 230 online sites where consumers can buy music legally, up from 50 a year ago, according to the International Federation of the Phonographic Industry.

Soon, you will be able to go to any artist’s website and download their music, or order a CD that will be made on demand and shipped to you. Little or no inventory cost will allow artists to make the rcordings that they want to make, without regard for packaging and distribution costs that may or may not be recouped.

My DRM-free mp3 store will be up in a few weeks.

Brian O’Neill 1955-2005

We have lost a wonderful man and a fabulous musician. Brian O’Neill passed away Thursday night. Brian was becoming well known as the bass trombonist in Bonerama, but those of us in New Orleans, and Buffalo, and up and down the Mississippi have known for a long time, that Brian was the best. He played wonderful trombone, and piano, and sang. He was also one of the best writers and arrangers around.

There is a nice photo tribute to Brian on the Bonerama website.

Click here to listen a solo he recorded with Bonerama. To paraphrase on of the kids on the OTJF, “the best bass trombone solo I’ve ever heard.”

Dave Douglas on improvisation

Cool thoughts from Dave Douglas.

Greenleaf Music

“If you know what you want why not just write it?”

Because improvisation makes great music. It’s an element of music with explosive potential. Sparks fly when musicians are forced to make choices. The energy of surprise is one of the things I love most in music: The sense that anything could happen. There’s also a power in hearing the individual make a choice that I find captivating. Hearing the voice of an individual musician is one of the hallmarks of jazz, and I believe it’s a strength that can travel.

Boing Boing: DNA mutation accounts for white skin

This doesn’t really have much to do with music or art, except that people make music and art, and it is about people.

Boing Boing: DNA mutation accounts for white skin

Race has been a shaping factor in our country. We often define race in terms of skin color. Now science is confirming what wise folks have known all along: people are people, and the color of our skin is a minor meaningless genetic difference. Now we have managed to put a social weight on skin color that has caused lots of problems…but scientifically, people are just people.

Greenleaf Music

Self production seems to be the way things are going in the music industry. Internet focused models that help create better connections with listeners, and access to more varied output from the artists are gaining traction. (See Artist Share)

Dave Douglas’ new label, Greenleaf Music, has an interesting subscriber model. Check out their subscriber page for more info on what it entails. They also offer individual song downloads, as well as full album downloads and physical CDs. The downloads are mp3, which implies no DRM, so you can actually listen to the music you buy on the player of your choice. There is a blog and internet radio as well. Looks like a couple of steps in the right direction to me.

Thanks to be.jazz for the heads up.

Territory Band 4 – Company Switch

Dealing with free improvisation in the context of a large ensemble has always been a challenge. Sometimes a larger group just means more and louder noise. Other times, it can mean more arranged material and a lesser feeling of freedom. On Company Switch, Territory Band – 4 does a good job of balancing those extremes, and creating interesting and challenging music.

There are times when the music really swings in a spirited manner similar to the great Coltrane quartet. The rambunctious blowing one can expect from most Ken Vandermark projects is also present. The noisy elements of this CD receive great contributions from the guitar and electronics. The approach to the acoustic parts of the music is so, well acoustic, that the electronic entrances can be jarring. I am fairly confident that this is the intended effect. I don’t really like the way the acoustic instruments and the electric ones are mixed, but that is more likely a function of personal taste than bad production practices.

The album is made up of 2 CDs with three tracks each. The third track on the first disc is entitled “Franja.” This cut alone is worth the price of admission. It manages to effectively touch all of the bands varied musical bases in just under 21 minutes, and the music that happens during Fredrik Ljungkvist’s tenor sax solo is astounding.

This isn’t music that works in the background as you go about your daily business. The dynamic range is wide and the subtleties are an integral part of the musical experience. As with most music that stretches, Company Switch rewards the attentive listener.

This Cd is on the Okka Disk label.