In 1999 I was fortunate to fall in with some musicians who were doing things that I wanted to do, but wasn’t sure that I could. These were people who I had been hearing play for some time, and I was getting to play with them. I didn’t know if I belonged there.
After my first gig with the Naked Orchestra (which was only the band’s second gig), Tim Green walked up to me and said something nice about what I had played. I don’t remember his exact words, I just remember that the guy who made the most music in this group of (close to 20) great musicians went out of his way to say something encouraging to me. He made me think that maybe I could make some music that mattered. Those few words from him really did change my life.
Tim Green passed away this week. He was a beautiful person who made beautiful, deep, soulful sounds. To hear him play was to peer into his soul, and it was beautiful. Tim went out of his way to help create peace for those around him, I hope he has found the peace that sometimes eluded him in life. Rest well brother.
“The way the twinned trombones of former Chicagoan Jeb Bishop and Jeff Albert of New Orleans navigate the grooves that Drake lays down with Joshua Abrams and Jeff Parker, you’d think they’d first learned their chops 50 years ago in a Kingston yard rather than in band classes in North Carolina and Louisiana.”
The Jazz Session, a jazz podcast produced by Jason Crane, is making a comeback. Back in February of 2012, I recorded an interview with Jason, and it never was released because he ended the show before the CD that we spent much of the interview discussing was released. Well that CD is out now, and the show is returning, and our interview is now available. Follow the link below to hear it.
I have since finished the dissertation that we talked about in the interview. If you are having trouble sleeping and would like to read it, it is here: http://research.jeffalbert.com/imp/
The CD order changed a bit since I sent him music before the interview, and one of the tunes he plays in the show, is not actually on the CD. Mixes changed some too, so the bass sounds better on the CD than on the podcast.
The August 2013 issue of DownBeat Magazine was a good issue for my press clippings. For the third year, I was honored to be mentioned in the Rising Star Trombone category of the Critics Poll, and the Instigation Quartet CD got a 4 star review.
Let the CD sales, and festival bookings come rolling in…
Clip from Rising Star section of Critics Poll results:
A while back, I got called to do a couple of sessions with an electronic music artist I had not previously heard of. They turned out to be really fun sessions, and he turned out to be a very interesting musician.
A short film was made about the making of that record.
We are hiring a faculty member to teach music industry related internet technologies at Loyola University New Orleans.
Primary responsibilities include teaching in the areas of Internet technologies and web development within the context of Music Industry Studies. Must be able to teach usage of HTML 5, CSS, and PHP or other dynamic languages. Emphasis on marketing using social media and other platforms required. Secondary duties may include teaching in other areas of music industry technology including smartphone/tablet apps, new approaches to content delivery, and related areas of expertise, potential for the development of distance learning programs, work in a collaborative manner and fulfill various roles in college and university activities, serve as an academic advisor and mentor to students, assist with departmental websites and student workers, and other duties as assigned.
Other specifics can be found here: http://finance.loyno.edu/human-resources/faculty-employment-opportunities. The full consideration date is June 15, 2013 and the gig starts in August. If you or someone you know want to live in New Orleans and teach aspiring young musicians and entrepreneurs, in a setting with a good bunch of colleagues, please apply. I’d be happy to answer any questions as well.
“‘There’s no question that it was an important statement that the speaker made with that vote about doing the right thing rather than how it’s going to be scored by some outside group,’ Robideaux said in an interview Wednesday.
Jindal’s administration warned lawmakers that Americans for Tax Reform, a Washington, D.C.-based group headed by Grover Norquist, would flag it as a tax increase, lawmakers said.”
I agree with Rep. Robideaux. Who cares what Grover Norquist thinks. Do what is right for the people of Louisiana. Good job fellas.
I don’t usually do non-arts-related political posts here, but here comes one, so click away if that doesn’t interest you.
The thing that I haven’t heard any one say in the gun control debate is that the advances in military technology have negated the reason for the existence of the Second Amendment. The Second Amendment guaranteed that we (The People of the United States) could bear arms so that we would be able to defend ourselves against oppressive government. Like we did when we fought for our independence from Britain. This made perfect sense when the government-supported-military used the same weapons that citizens used.
This is no longer the case. Hand guns, or even assault rifles and machine guns, will do us no good against drones, B1 bombers, and F16s. We as individual citizens are technologically incapable of defending ourselves against our own military, therefore the argument that we must have the right to buy a gun over the internet or at a gun show without a background check because we need to be able to defend ourselves from the possibility of our government going bad is a fallacious argument.
What we need to do to defend ourselves from our government going bad is to quit electing self-serving, egotistical idiots who value a rating from a lobbying group more than the wishes of their constituents. We need to quit electing people who value staying in office more than doing the right thing.
“By the time the four align on the first of Albert’s four ‘Instigation’ pieces (inexplicably out of numerical sequence and missing two in the order), everybody sounds as if they’re more comfortably on the same page. The last three tracks in particular find the group really hitting a galvanizing stride and crafting a series of bracing contrapuntal passages. ‘Instigation Quartet #6’ unfolds as a succession of duets, the first an explosive dialogue between Jordan and Abrams, the next a slow burn from Albert and Drake before moving on to an invigorating ensemble section and roof-raising solo by Jordan. Tenor and trombone converse and cavort in ornate arcs with a level of close confluence complemented by bass and drums. It’s a consensus that carries over into the closer, a collective leap through the indelible finger-snapping groove of Anderson’s ‘The Strut.’”
Since this is my blog, I will explain the inexplicable. The numbers on the IQ pieces are just a way to identify each one. I could have just as well called them Sue, John, Paul, George, and Ringo. They aren’t a suite meant to be played in order, just a collection of similar pieces. They are out of numerical order because that order made a better CD, and they aren’t all there because some of the recordings didn’t make the CD. Just like if they were five improvisations that had non-similar abstract names.
Interestingly, in an attempt to give the pieces names that created no baggage, expectations were still created. There may eventually be a longer post based on that dilemma.